Remarkable painting style, detailed setting and excellent use of color, with skillful impressionist effects.
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| Image | 1966Madrid-01-084 |
| Illustration No. | 1 |
| Illustrator | José Segrelles |
| Engraver | |
| Lithographer | |
| Title Caption | «... por ver si la caña parecía, que no tardó mucho en asomar. Así como la vi, aunque no podía ver quién la ponía, mostré el papel...» |
| Title Supplied | |
| Part | Part I, Madrid 1605 |
| Chapter | Chapter 40 |
| Subject |
40.1 Captive’s tale continues |
| Illustration Type |
Chapter illustration |
| Technique |
Offset |
| Color | In color |
| Volume | I |
| Page Number | 341 |
| Image Dimension | 240 x 178 |
| Page Dimension | 315 x 235 |
| Commentary | In a baño in Algiers, the captive Ruy Pérez de Viedma shows the letter when he sees the cane appearing from the window (Zoraida's).
Remarkable painting style, detailed setting and excellent use of color, with skillful impressionist effects. |
| Notes |