click to enlarge |
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Image | 1842-London-Bohn-02-161 |
Illustration No. | 1  2 |
Illustrator | Tony Johannot |
Engraver | Andrew, Best & Leloir |
Lithographer | |
Title Caption | |
Title Supplied | Melisendra lowering herself from the tower |
Part | Part II, Madrid 1615 |
Chapter | Chapter 26 |
Subject |
26.2 Representation of Melisendra’s puppet show |
Illustration Type |
Vignette |
Technique |
Wood engraving or Xylography |
Color | Black and white |
Volume | II |
Page Number | 291 |
Image Dimension | 85 x 57 |
Page Dimension | 250 x 155 |
Commentary | Fifth of seven scenes about don Gaiferos and Melisendra's puppet show. Johannot, with great originality, represents the characters as puppets; Melisendra lowers herself from the balcony of the tower, "Mas, ¡ay, sin ventura!, que se le ha asido una punta del faldellín de uno de los hierros del balcón, y está pendiente en el aire, sin poder llegar al suelo" (26:2); this detail has been included.
The artificial movement of the figure, a puppet, is specially comical. |
Notes | 1 - Same illustration and wooden block first used for Paris: Dubochet, 1836-37.
2 - Andrew, Best & Leloir's monogram (formed by "A", "B" and "L") can be mistaken with Alexandre-Nicolas Belhatte's ("A" and "B"). In this case, it looks more like the first one. |