![]() click to enlarge |
|
| Image | 1842-London-Bohn-02-161 |
| Illustration No. | 1  2 |
| Illustrator | Tony Johannot |
| Engraver | Andrew, Best & Leloir |
| Lithographer | |
| Title Caption | |
| Title Supplied | Melisendra lowering herself from the tower |
| Part | Part II, Madrid 1615 |
| Chapter | Chapter 26 |
| Subject |
26.2 Representation of Melisendra’s puppet show |
| Illustration Type |
Vignette |
| Technique |
Wood engraving or Xylography |
| Color | Black and white |
| Volume | II |
| Page Number | 291 |
| Image Dimension | 85 x 57 |
| Page Dimension | 250 x 155 |
| Commentary | Fifth of seven scenes about don Gaiferos and Melisendra's puppet show. Johannot, with great originality, represents the characters as puppets; Melisendra lowers herself from the balcony of the tower, "Mas, ¡ay, sin ventura!, que se le ha asido una punta del faldellín de uno de los hierros del balcón, y está pendiente en el aire, sin poder llegar al suelo" (26:2); this detail has been included.
The artificial movement of the figure, a puppet, is specially comical. |
| Notes | 1 - Same illustration and wooden block first used for Paris: Dubochet, 1836-37.
2 - Andrew, Best & Leloir's monogram (formed by "A", "B" and "L") can be mistaken with Alexandre-Nicolas Belhatte's ("A" and "B"). In this case, it looks more like the first one. |