click to enlarge
41.2 The captive and Zoraida’s escape in boat
As usual in Johannot's illustrations, the main figures (Zoraida and her father) are well drawn and angraved in the foreground, while the secondary characters and setting remain sketched.
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click to enlarge |
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| Image | 1836-1837-Paris-Dubochet-01-280 |
| Illustration No. | 1 |
| Illustrator | Tony Johannot |
| Engraver | Andrew, Best & Leloir |
| Lithographer | |
| Title Caption | |
| Title Supplied | Zoraida embracing his father in the vessel |
| Part | Part I, Madrid 1605 |
| Chapter | Chapter 41 |
| Subject |
41.1 Captive’s tale continues: Agi Morato 41.2 The captive and Zoraida’s escape in boat |
| Illustration Type |
Vignette |
| Technique |
Wood engraving or Xylography |
| Color | Black and white |
| Volume | I |
| Page Number | 592 |
| Image Dimension | 153 x 103 |
| Page Dimension | 250 x 165 |
| Commentary | Reference to captive's tale; Zoraida, "viéndole llorar, así se enterneció que se levantó de mis pies y fue a abrazar a su padre, y, juntando su rostro con el suyo, comenzaron los dos tan tierno llanto que muchos de los que allí íbamos le acompañamos en él" (41:1).
As usual in Johannot's illustrations, the main figures (Zoraida and her father) are well drawn and angraved in the foreground, while the secondary characters and setting remain sketched. |
| Notes |